Morten Søndergaard
Internationally acclaimed curator and professor of Sound and Media Art
Morten Søndergaard

Writings

Link to list of publications

Books

  • Sandberg, J. H., & Søndergaard, M. (red.) (1995). Fravær: Sophie Calle. Portalens Kunsthal.
  • Sandberg, J. H., & Søndergaard, M. (red.) (1995). Some Went Mad, Some Ran Away… Damien Hirst,… Portalens Kunsthal / Serpentine Gallery.
  • Søndergaard, M., & Solvang, H. (1996). KULTURSPOR: En rejse med Bruce Chatwin i billeder og ord. Kulturby 96.
  • Søndergaard, M., Raithel, A. (red.), Elgaard, A. (red.), & Johannesen, H.-L. (red.) (1998). X-positioner: En udstilling i tre akter. 4. maj – 12. juni 1998. <Forlag uden navn>.
  • Storsve, P. J., Søndergaard, M., & Kunsthallen Brandts Klædefabrik (1998). Françoise Quardon: strømmende landskab. Kunsthallen Brandts Klædefabrik.
  • Søndergaard, M., Schwartzbart, J. (red.), Nielsen, J. D. (red.), & Jensen, G. V. (red.) (1998). MIX: Blended Spaces. Museet for Samtidskunst.
  • Søndergaard, M. (2000). Unoder. Nyhedsbladet Nr. 2
  • Søndergaard, M., & Nyborg, K. (2001). Kaj Nyborg: Isoplant : works 1998-2001. Space Poetry.
  • Søndergaard, M. (2002). Hortus Digitalis: Ane Mette Ruge: Den digitale have. Tacheles / Rupertinum / Museet for Samtidskunst.
  • Ruge, A. M., Søndergaard, M., Museet for Samtidskunst, & Kunsthaus Tacheles (2002). Ane Mette Ruge: hortus digitalis. Tacheles / Rupertinum / Museet for Samtidskunst.
  • Højholt, P., Kreutzfeldt, J., Meyhoff, K. W., Søndergaard, M., & Museet for samtidskunst (Roskilde) (2004). Mellem ørerne: Performer Højholt. Informations Forlag.
  • Søndergaard, M., & Winkelhorn, K. (red.) (2004). Ett Digitalt Bauhaus: K3 – Visioner, (ud)dannelser, praksisser. Informations Forlag.
  • Søndergaard, M. (2005). GET REAL: REAL TIME + ART + THEORY + PRACTICE + HISTORY. George Braziller Publishers.
  • Søndergaard, M. (2006). Mission: Reality: 51. Venedig Biennale – Den danske Pavillon. Informations Forlag.
  • Søndergaard, M., & Rafn, H. (red.) (2007). Sperme Anonyme: Victor B. Andersen’s Maskinfabrik: Live. Informations Forlag.
  • Søndergaard, M. (2016). Show-Bix & Per Højholts Mediebevidste Praksis. Museum Tusculanum.
  • Søndergaard, M. (2025). Poetry Experiment 1965: The Unheard Avant-garde of Copenhagen.
  • Loveless, S., Rennie, T., Søndergaard, M., & Zinovieff, F. (red.) (2025). Situated Listening: Attending to the Unheard. Routledge. Routledge Sound Design Series
  • Loveless, S., Rennie, T., Søndergaard, M., & Zinovieff, F. (2025). Situated Listening: Attending to the Unheard. Taylor and Francis A.S. https://doi.org/10.4324/9781003348528

All publications according to date:

2025

Søndergaard, M (red.) 2025, Between / Worlds: Resonant Ecologies. Momentum Biennial and Gallery F15, Moss, Norway.

Søndergaard, M & Højlund, MK 2025, The Sonic Sensorium: Listening With The Underheard. Routledge Sound Design Series, nr. 1, bind 15, Routledge.

Søndergaard, M 2025, ‘The Wet Zone Revisited: Polymathy in the Age of BioMedia’, IEDA – International Jounral of Transdiscplinary Practices.

Søndergaard, M 2025, The Social Listening Deficit: Sound Art as Resistance. bind 2, 2025 udg, Bureau for Listening, Copenhagen.

Loveless, S, Rennie, T, Søndergaard, M & Zinovieff, F (red) 2025, Situated Listening: Attending to the Unheard. Routledge Sound Design Series, Routledge.

Søndergaard, M 2025, Curating Hinterland: Reassembling Invisible Work in Art / Science Practices. Rowman & Littlefield Publishers, Maryland, USA.

Søndergaard, M 2025, Hellcopters in the Hinterland: Invisible Images and Ethico-Aesthetic Practices in the Practice of Luz Maria Sanchez. i RW Kluszczyński (red.), In the Absence of the State: Luz Maria Sanchez at Arsenal. Galeria Miejska Arsenał, Poznan.

Sepúlveda, GA, Holmstedt, J, Loveless, S, Mackenzie, L, Rennie, T, Søndergaard, M & Zinovieff, F 2025, INTRODUCTION. i Situated Listening: Attending to the Unheard. Taylor and Francis A.S., s. 1-7. https://doi.org/10.4324/9781003348528-1

Søndergaard, M 2025, Introduction. i Situated Listening: Attending to the Unheard. Taylor and Francis A.S., s. 195-198. https://doi.org/10.4324/9781003348528-17

Søndergaard, M 2025, Poetry Experiment 1965: The Unheard Avant-garde of Copenhagen.

Loveless, S, Rennie, T, Søndergaard, M & Zinovieff, F 2025, Situated Listening: Attending to the Unheard. Taylor and Francis A.S. https://doi.org/10.4324/9781003348528

Højlund, MK & Søndergaard, M 2025, The Sonic Sensorium: Listening with the Un(der)heard. i Situated Listening: Attending to the Unheard. Taylor and Francis A.S., s. 237-251. https://doi.org/10.4324/9781003348528-20

2024

Søndergaard, M 2024, ‘The Paracolonial Archive of Pia Arke: Rewriting Collective Care Beyond Storage’, Archiving Care, Limassol, Cypern, 01/09/2024 – 02/09/2024.

Søndergaard, M 2024, Ittoqqortoormiit through the Pinhole: Exscribing the Ethno-Aesthetics of Pia Arke. i C Bernard (red.), Digging Earth: Extractivism and Resistance on Indigenous Lands of the Americas. Ethics International Press, London, s. 246-266, POM BLN – Politics of Machines, Berlin, Tyskland, 13/09/2022.

Søndergaard, M 2024, The Music is the Medium: Audiobar and the compilation album of the sound art world. i M Salomonsen & M Jacobsen (red), Apparatus: Art Work Process . m&m paper, København.

2023

Søndergaard, M 2023, ‘This book asks you to breathe and resonate without words’, Seismograf/DMT. <https://seismograf.org/en/artikel/book-asks-you-breathe-and-resonate-without-words>

Søndergaard, M & Ag, T 2023, ‘Expanded Algorithms’, RE:TRACE, Venedig, Italien, 13/09/2023 – 17/09/2023.

Søndergaard, M & Nacher, A 2023, ‘Intermedia: archipelagic thinking of relations in-between the systems – decolonizing media art’, RE:source, Venice, Italien, 13/09/2023 – 17/09/2023.

Søndergaard, M 2023, ‘Technically, it is Possible… Concrete Poetry and the Beginnings of Media Art.’, ELO – Electronic Literature Conference in Coimbra, Coimbra, Portugal, 12/07/2023 – 15/07/2023.

Søndergaard, M 2023, ‘Unlearning Media Art: Reimaginings in Archiving, Curating, Breathing’, Unlearning and Reimagining, Singapore, Singapore, 05/10/2023 – 06/10/2023.

2022

Søndergaard, M & Beloff, L 2022, ‘Living Biotechnical Lives: noise, parasites, and relational practices’, Artnodes – Journal of Art, Science and Technology, nr. 30, s. 1-9. https://doi.org/10.7238/artnodes.v0i30.402841

Søndergaard, M 2022, Rogue Things, Biotechnical Thresholds, and Post-cybernetic Museums: A Critique. i M Christensen, F Conradi, M Søndergaard, L Beloff & H Choubassi (red), Politics of the machines 2021 – Rogue Research. British Computer Society (BCS), Electronic Workshops in Computing, POM BLN – Politics of Machines, Berlin, Tyskland, 13/09/2022. https://doi.org/10.14236/ewic/POM2021.41

2021

Søndergaard, M & Ravn Ag, T 2021, ‘Art’s New Making’, CAS Journal – Contemporary Art Stavanger . <https://www.contemporaryartstavanger.no/arts-new-making/>

Søndergaard, M 2021, ‘Museums in an Age of Posthuman Crisis: Biotechnics, Mediation and Meta-curating’, Paper fremlagt ved Art, Museums, and Digital Cultures, Lisboa, Portugal, 22/04/2021 – 23/04/2021.

2020

Søndergaard, M 2020, Investigating the metaphors of the Death of Art as a Social Norm. i EA Bobrinskaya & ES Korndorf (red), Materials of the Third International Sarabianov Congress of Art Historians: The boundaries of the norm: the transformation of humanism in Russian and European culture. bind 3, State Institute of the Arts Moscow, Moskva, s. 361-368, Third International Sarabianov Congress of Art Historians, Moscow, Rusland, 21/11/2018. <https://sarabianov.sias.ru/docs/sbornik_III_ru.pdf>

Søndergaard, M, Paradigms of aesthetic meaning creation, 2020, 2D/3D (Fysisk produkt), MIT Press, USA.

Søndergaard, M 2020 ‘Radioen som (uhørt) arkivmedie: arkiv-kuratering som kontraindikativ strategi’.

Søndergaard, M 2020, ‘Sound as Evidence: Paradigms of Aesthetic Approximation in an Age of Geopolitical Crisis’, Leonardo Music Journal, bind 30, nr. 84, s. 84. https://doi.org/10.1162/lmj_a_01096

Søndergaard, M & Beloff, L 2020, ‘Editorial Article: Silent Agencies : Artistic and curatorial practices in a state of crisis’, Seismograf/DMT, bind 2020, nr. 2. https://doi.org/10.48233/seismograf2500

Søndergaard, M 2020 ‘Approximations, Reconfigurations and Transdisciplinary Agency. Investigating The Aesthetic Paradigms in the Wet Zone’.

Søndergaard, M 2020 ‘The ‘Language’ of the Big Data Archive: Investigating the emergence of Matrix thinking in media art’.

2019

Søndergaard, M 2019, The Politics of Electronic Remembrance: A Brief Study of Deep Media Metaphors – in art and other political lifeforms. i H Choubassi, J Elias & M Søndergaard (red), Proceedings of Politics of the Machine (POM) Beirut 2019: Art & Conflict. British Computer Society (BCS), Electronic Workshops in Computing, nr. 2, bind 2019, s. 105-108, POMbeirut, Beirut, Libanon, 11/06/2019. <http://10.14236/ewic/POM19.16>

Søndergaard, M 2019, Excribing The Archive: Curating the Unheard Avant-garde (in Scandinavia). i P Weibel (red.), Sound Art: Sound As Medium of Art. MIT Press.

Søndergaard, M 2019, Where the inaction is: The Politics of Digital things in the Significance of the Lab… In the Practices of Laura Beloff, Kollision and Mogens Jacobsen. i T Toft Ag (red.), Digital Dynamics in Nordic Contemporary Art. Intellect.

Søndergaard, M 2019, Doing things with Sound: The Reflexive Intentionality of the Ultra-local in the Practice of Peter Laugesen. i M Søndergaard, KZ, A Odendaal, R Guzmán & L Beloff (red), RE:SOUND 2019: 8th International Conference on Media Art, Science, and Technology. British Computer Society (BCS), Electronic Workshops in Computing, s. 291-296, RE:SOUND , Aalborg, Danmark, 20/08/2019. https://doi.org/10.14236/ewic/RESOUND19.43

2018

Søndergaard, M 2018, Sound Citizen: Curating Sound Art in the Distributed Public Sphere. i D Davies, J Gabriels, V Hudon & M Pronovost (red), Curating Live Art: Critical Perspectives, Essays, and Conversations on Theory and Practice. Berghahn Books.

Søndergaard, M & Beloff, L (red) 2018, EVA Copenhagen 2018 – Politics of Machines – Art and After. Electronic Workshops in Computing, nr. 2018, bind EVA Copenhagen, British Computer Society (BCS), London. <https://ewic.bcs.org/category/19371>

Søndergaard, M 2018, Black Box Feed-back: The Politics of Machines in Early Nordic Media Art. i M Søndergaard & L Beloff (red), EVA Copenhagen 2018 – Politics of Machines – Art and After. 2018 udg, bind EVA Copenhagen, British Computer Society (BCS), London, Electronic Workshops in Computing, nr. 2018, bind EVA Copenhagen, Politics of the Machine – Art and After, Copenhagen, Danmark, 15/05/2018. <https://www.scienceopen.com/document?vid=74bf727d-0367-476a-817a-cf6962fa73dc>

Søndergaard, M 2018, ‘The Prosthetic Experience Between Body and Technology: Investigating ‘Second Nature’ in Experimental Art Practices’, Leonardo Electronic Almanac, bind 22, nr. 2. <https://contemporaryarts.mit.edu/pub/prosthetic-experience>

Søndergaard, M, Jacobsen, M, Luckmann, M, Joasia Krysa, Lars Bang Larsen & Mathias Kokholm 2018, Systemics: (or, Exhibition as a Series). i J Krysa (red.), SYSTEMICS: Index of Exhibitions and Related Materials, 2013–14 or Exhibition as a Series. Sternberg Press, Berlin.

2017

Søndergaard, M 2017, ‘Origo: Climbing the Pyramid of the Sun in Teotihuacan ‘, Seismograf/DMT.

Groth, SK, Vandsø, A, Schmidt, U & Søndergaard, M 2017, ‘Sound Art Matters: Introduction to Special Issue’, Seismograf/DMT. <http://seismograf.org/fokus/sound-art-matters>

Søndergaard, M 2017, Textualities, Materialities and Indeterminate Pasts: The Archive as Hybrid Infrastructure. i O Grau (red.), Museums and Archives on the Move. De Gruyter Mouton, Berlin.

Søndergaard, M & Vandsø, A 2017, Sonification and audification as means of representing. i L Philipsen & RS Kjærgaard (red), The Aesthetics of Scientific Data Representation: More than Pretty Pictures. Routledge, Routledge Advances in Art and Visual Studies, More Than Pretty Pictures, Aarhus, Danmark, 14/04/2015.

Søndergaard, M 2017, ‘On Paralogic Practices’, e-flux architecture, bind 84, nr. 2017.

Søndergaard, M, Bülow, TSF, Matthusen, P & Kojs, J 2017, NIME – New Interfaces for Musical Expression: Exhibition..

Christensen, JG & Søndergaard, M 2017, Cirkulation og Spillen: En stafet i nogle akter. i Form og Erfaring #01: lidt mere om Heden. Antipryne, s. 63-77. <https://www.flickr.com/photos/jonasgeorgchristensen/sets/72157680511120833>

Søndergaard, M, Christensen, JG & Elving, J (red) 2017, FORM OG ERFARING #01: Lidt mere om Heden. Antipryne, Antipryne.

Søndergaard, M 2017, TimeMatters: Erasmus Media Arts Cultures Exhbition 2017.. <http://timematters.possiblefuturelab.dk/>

Søndergaard, M, Scherfig, B & Saiu, E, Between Real and Unreal: Interview with Laurie Anderson. 11:31 min., 2017, Lyd og/eller billed produktion (digital), Kulturværftet 2016. <http://www.channel.clickfestival.dk/laurieanderson>

2016

Søndergaard, M 2016, Interaction Design. i U Ekman, L Diaz, M Engberg, JD Bolter & M Søndergaard (red), Ubiquitous Computing, Complexity, and Culture. Routledge, New York, s. 347-349.

Søndergaard, M 2016, Media Art. i U Ekman, JD Bolter, M Engberg, L Diaz & M Søndergaard (red), Ubiquitous Computing, Complexity, and Culture. . Routledge, New York, s. 85-88.

Søndergaard, M 2016, The Implied Producer and the Citizen of the Culture of Ubiquitous Information: Investigating Emergent Typologies of Critical Awareness. i U Ekman, JD Bolter, L Diaz-Kommonen, M Søndergaard & M Engberg (red), Ubiquitous Computing, Complexity, and Culture. .Routledge, New York, s. 70-84. https://doi.org/10.4324/9781315781129

Søndergaard, M 2016, ‘Spatio-dynamics, aural topographies and underwritings: Sonic Infrastructure as Enframing’, Continent, bind 2016, nr. 5.3. <http://continentcontinent.cc/index.php/continent/article/view/260>

Søndergaard, M & Allen, J 2016, Acoustic Infrastructures. i A Vandsø, SK Groth, U Schmidt & M Søndergaard (red), Sound Art Matters. Sound Art Matters, Aarhus, Danmark, 01/06/2016. <http://conferences.au.dk/fileadmin/conferences/2016/Sound_Art_Matters/Final_Program_-_SAM16-web.pdf>

Søndergaard, M 2016, Føreign Objects: Possible Future Lab..

Søndergaard, M 2016, Show-Bix & Per Højholts Mediebevidste Praksis. Museum Tusculanum.

Søndergaard, M (red.) 2016, ‘Big Data Aesthetics: Special Issue of MedieKultur – Journal of Media and Communication Research’, MedieKultur: Journal of media and communication research, bind 31, nr. 59. https://doi.org/10.7146/mediekultur.v31i59.20237

Søndergaard, M 2016, ‘The Politics of Big Data Aesthetics’, MedieKultur: Journal of media and communication research, bind 59, s. 1-5. <http://ojs.statsbiblioteket.dk/index.php/mediekultur/article/view/23078/20290>

Søndergaard, M 2016, Interview with Mogens Jacobsen. i Ubiquitous Computing, Complexity and Culture. Routledge, s. 253-255. https://doi.org/10.4324/9781315781129

Ekman, U, Bolter, JD, Diaz, L, Søndergaard, M & Engberg, M (red) 2016, Ubiquitous Computing, Complexity and Culture. Routledge, New York. https://doi.org/10.4324/9781315781129

2015

Søndergaard, M 2015, The Delayed Medium: The Hidden Matrices of Unheard Sound in Some Artistic Data-Visualization Experiments. i AM’15 Proceedings of the Audio Mostly 2015 on Interaction With Sound., 29, Association for Computing Machinery (ACM), ACM Conference Proceedings Series, Audio Mostly 2015, Thessaloniki, Grækenland, 07/10/2015. https://doi.org/10.1145/2814895.2814903

Søndergaard, M 2015, Interfaces of Future Authenticity: Erkki Kurenniemi’s Media Archives (From a Postcybernetic Perspective). i J Krysa & J Parikka (red), Writing and Unwriting (Media) Art History: Erkki Kurenniemi in 2048.. MIT Press, Leonardo Book Series, s. 191-202.

Søndergaard, M 2015, ‘Investigating the inter-relationship of Media Art and the Data Archive in the data-visualizations of Man Ray, Lev Manovich and Thorbjørn Lausten.’, More Than Pretty Pictures, Aarhus, Danmark, 14/04/2015 – 16/04/2015. <http://aias.au.dk/events/more-than-pretty-pictures/>

Søndergaard, M 2015, ‘Henry ind i landskabet… Med mediekunsthistorierne ind bag samtidskunstens relationelle facader’, Terræn, København, Danmark, 20/02/2015 – 21/02/2015.

Søndergaard, M 2015, Øret i skyen: Samtaler og sammenbrud i den distribuerede offentlighed. i A Hejlskov-Larsen, R Gade & A Wang Hansen (red), Cybermuseologi: kunst, museer og formidling i et digitalt perspektiv. Aarhus Universitetsforlag.

Søndergaard, M 2015, INTERVIEW WITH MOGENS JACOBSEN1. i Ubiquitous Computing, Complexity, and Culture. CRC Press, s. 253-255. https://doi.org/10.4324/9781315781129-29

2014

Søndergaard, M 2014, The Prosthetic Aesthetics. i RW KLUSZCZYŃSKI (red.), Art + Science Meetings: Stelarc. Laznia Centre of Contemporary Art, Art+Science Meetings, nr. 1, bind 2015, s. 206-224, Meat, Metal & Code: Contestable Chimeras, Gdansk, Danmark, 16/05/2014. <http://artandsciencemeeting.pl/?lang=en/>

Søndergaard, M 2014, Redesigning the Way We Listen: Curating Responsive Sound Interfaces in Transdisciplinary Domains. i M Grimshaw (red.), Proceedings of the 9th Audio Mostly: A Conference on Interaction With Sound., 25, Association for Computing Machinery (ACM), New York, ACM International Conference Proceedings Series, nr. 955, bind 9, Audio Mostly 2014, Aalborg, Danmark, 01/10/2014. https://doi.org/10.1145/2636879.2636905

Bülow, S, Jacobsen, M, Luckmann, M & Søndergaard, M, Show-Bix & En anti re-enactment af et arkiv med performativ mediekunst, 2014, Interaktiv produktion, Kunsthal Aarhus . <http://kunsthalaarhus.dk/en/show-bix-sebastian-frese-bulow-mogens-jacobsen-martin-luckmann-morten-soendergaard>

Søndergaard, M 2014, Show-Bix &..

2013

Søndergaard, M 2013, Ear in the Cloud: Accoustical accidents and clouded texts in Stelarc’s Internet Ear. i K Cleland, L Fisher & R Harley (red), Proceedings of the 19th International Symposium of Electronic Art, ISEA2013, Sydney. Sydney University Press, ISEA, Sydney, Australien, 07/06/2013. < http://hdl.handle.net/2123/9750>

Ejsing-Duun, S, Søndergaard, M & Allen, J 2013, Reconsidering experiential knowledge in the relation of art and science practices. i K Cleland, L Fisher & R Harley (red), Proceedings of the 19th International Symposium of Electronic Art : ISEA2013. Sydney University Press, ISEA, Sydney, Australien, 07/06/2013. <http://ses.library.usyd.edu.au//bitstream/2123/9630/1/reconsideringexperiential.pdf>

Søndergaard, M 2013, ‘The Media Artist as Functionary’, Media Art Histories 2013, Riga, Letland, 09/10/2013 – 12/10/2013. <http://renew.rixc.lv/sessions/archiving.php?s=morten-sondergaard>

Søndergaard, M 2013, ‘Ildsjæle og genredynamik: Anmeldelse af Kunstjournalen B-post (nummer 1, 2012): LYD’, Seismograf/DMT. <http://seismograf.org/anmeldelse/ildsjaele-og-genredynamik>

Søndergaard, M 2013, Flexowriters, Punch Paper Poetry and Ontological Gaps: Reactivating the Unheard Avant-garde Practices of POEX 65. i G Borggreen & R Gade (red), Performing Archives/Archives of Performance. Museum Tusculanum, København / San Francisco, In Between States, nr. 1, bind 1, PSi – Performance Studies International, San Francisco, USA, 26/06/2013. <http://www.press.uchicago.edu/ucp/books/book/distributed/P/bo15561726.html>

Søndergaard, M 2013, Per Højholt. i Den Store Danske Encyklopædi, Online. Den Store Danske Encyklopædi A/S. <http://www.denstoredanske.dk/Kunst_og_kultur/Litteratur/Dansk_litteratur/Efter_1940/J%C3%B8rgen_Per_H%C3%B8jholt?highlight=Per%20H%C3%B8jholt>

Søndergaard, M 2013, ‘The Experiment as Act: A methodological inquiry into (how to analyse) the performative experiments between poetry, sound, and media conducted at POEX65.’, Literature, Media and Sound, Aarhus, Danmark, 28/11/2013 – 30/11/2013. <http://conferences.au.dk/literaturemediasound/>

2012

Søndergaard, M 2012, (re)new configurations: Beyond the HCI/Art Challenge: Curating re-new 2011. i M Søndergaard (red.), IMAC 2011 Proceeedings. Aalborg Universitetsforlag, IMAC – Interactive Media Art Conference 2011, København, Danmark, 16/05/2011.

Søndergaard, M & Weibel, P 2012, Sound Art – Sound as Medium for Fine Art: Curator of the 2000m2 Special Section “The Unheard Avant-garde (in Scandinavia)”..

Søndergaard, M, Markussen, T, Wetton, B & Dehn, I 2012, Soft Clouding: Curating a New Semantics of Sound Archiving. i L Aceti & O Sahin (red), ISEA2011 Istanbul Conference Proceedings. 4 udg, bind 18, Leonardo Electronic Almanac, Leonardo: Journal of the International Society for the Arts, Sciences and Technology, ISEA 2011, Istanbul, Tyrkiet, 14/09/2011. <http://www.leoalmanac.org/index.php/lea/entry/isea2011_istanbul_proceedings/>

Søndergaard, M 2012, ‘Biotopia Revisited: Beyond Art in the Wet Zone’, Leonardo Electronic Almanac. <http://www.leoalmanac.org/current-exhibition-biotopia-revisited/>

Søndergaard, M 2012, Electrohyphing the Disciplines: Analyzing Three Modalities of Research Methodologies in the Media Art Field: Transdisciplinary Domains, Laboratoria Systems and Submedia Designs. i E Kristiansen (red.), Proceedings of the DREAM Conference: The Transformative Museum. DREAM – Danish Research Center on Education and Advanced Media Materials Institute for Literature, Culture and Media Studies University of Southern Denmark, s. 388-409, DREAM conference The Transformative Museum, Roskilde, 23/05/2012. <https://academia.edu/resource/work/1519827>

Søndergaard, M 2012, Ear to the Archive Ground – reactivating the unheard avant-gardes: Case: POEX65.. <http://www.furtherfield.org/features/articles/ear-archive-ground-%E2%80%93-reactivating-unheard-avant-gardes-case-poex65>

Søndergaard, M 2012, ‘Ears In the Cloud: Acoustical accidents and clouded texts in Stelarcs Internet Ear’, Aesthetics Reloaded, Århus, Danmark, 10/12/2012 – 13/12/2012. <http://aestheticsreloaded.au.dk/abstracts/#MortenS>

Søndergaard, M (red.) 2012, Re-new – IMAC 2011 Proceedings. Aalborg Universitetsforlag.

Søndergaard, M 2012, The implied producer investigating an emergent typology in participatory culture. i MAB ’12 Proceedings of the 4th Media Architecture Biennale Conference: Participation. Association for Computing Machinery (ACM), ACM International Conference Proceeding Series (ICPS), s. 5-8, Media Architecture Biennal, Aarhus, Danmark, 14/11/2012. https://doi.org/10.1145/2421076.2421078

Søndergaard, M 2012, The Unheard Avant-garde in Scandinavia: Experiments between systems design, performativity, and art. i Material Meanings: EAM – European Avantgarde Network Conference 2012. Kent University Press, EAM Book series, s. 39-40, Material Meanings, Cantebury, Kent, Storbritannien, 07/09/2012. <http://www.kent.ac.uk/english/materialmeanings/index.html>

2011

Søndergaard, M 2011, The Mixer Master Has Left the Building: Homo Statisticus Strikes Back. i OECDlab: Mogens Jacobsen. Statens Billedkunstråd / PiST/// Istanbul, Istanbul / Copenhagen, s. 4-6.

Jacobsen, M & Søndergaard, M 2011, ‘The Impact of Ubiquitous Technologies on the Art Museum as Urban [Political] Space’, Paper fremlagt ved The Culture of Ubiquitous Information, Aarhus, Danmark, 07/04/2010 – 11/04/2010.

Søndergaard, M 2011, Distant Relations: Art in the Age of Global Culture. i M Scherdin & I Zander (red), Art Entrepreneurship. Edward Elgar Publishing, Camberley, Surrey. <http://www.e-elgar.com/bookentry_main.lasso?id=13462&breadcrumlink=&breadcrum=&sub_values=&site_Bus_Man=&site_dev=&site_eco=&site_env_eco=&site_inn_tech=&site_int_pol=&site_law=&site_pub_soc=>

Søndergaard, M 2011 ‘Reactions: Augmenting the Reality of Art and (Art) Museums in the Age of Tangible Computing’.

2010

Søndergaard, M 2010, Biotopia: På vej ind i den flydende zone.. <http://www.kunsten.nu/artikler/artikel.php?art+in+the+wet+zone+utzon+center+biotopia>

Søndergaard, M 2010, ‘Ear to the [Archive] Ground: Reactivating the Unheard Avantgardes’, DRHA – Brunel University, London, Storbritannien, 05/09/2010 – 08/09/2010. <http://www.drha2010.org.uk/>

Søndergaard, M & Jacobsen, M 2010, ‘MAPPING the domains of Media Art Practice: A trans-disciplinary enquiry into collaborative creative processes’, Technoetic Arts, bind 8, nr. 1, s. 77-84.

2009

Søndergaard, M 2009, Beyond the Point One Zero World: The Dialectics of Opsis and Optics in the Data Practice of Thorbjørn Lausten. i P Thomas & S Cubitt (red), Re:ilve: Media Arts Histories 09. The University of Melbourne, Melbourne, s. 209, Re:Live – Media Art Histories, Melbourne, Australien, 22/11/2009. <http://www.mediaarthistory.org/relive/ReLive09Proceedings.pdf>

Søndergaard, M & Jacobsen, M 2009, Introducing the subject of this book: Re_negotiating the Competences of the Archive and the (art)museum. i M Søndergaard & M Jacobsen (red), RE_ACTION: The Digital Archive Experience. Renegotiating the Competences of the Archive and the (Art)museum in the 21st Century.: Renegotiating the Competences of the Archive and the (Art)museum in the 21st Century. Aalborg Universitetsforlag, Aalborg, s. 11-18.

Søndergaard, M & Jacobsen, M 2009, MAP / Media Art Platform: digital kortlægning af en kunstsamling. i ASW Løssing, C Hansen & J Hansen (red), Digital museumsformidling: i brugerperspektiv. Kulturarvsstyrelsen, København, København, s. 29-34. <http://www.kulturarv.dk/tjenester/publikationer/emneopdelt/kulturarv-it/digital_museumsformidling.jsp>

Søndergaard, M & Jacobsen, M (red) 2009, RE_ACTION: The Digital Archive Experience. Renegotiating the Competences of the Archive and the (Art)museum in the 21st Century. Aalborg Universitetsforlag, Aalborg.

Søndergaard, M 2009, The Digital Archive Experience. i M Søndergaard & M Jacobsen (red), RE_ACTION: The Digital Archive Experience: Renegotiating the Competences of the Archive and the (Art)museum in the 21st Century. Aalborg Universitetsforlag, Aalborg, s. 25-46.

Søndergaard, M 2009, ‘Transformative Creativity in the Expanded Digital Field’, Paper fremlagt ved ISEA – International Symposium of Electronic Arts, Belfast, Storbritannien, 23/08/2009 – 02/09/2009.

2008

Søndergaard, M 2008, ‘Art in Social Spaces: Under Cover and In The City’, Mare Articum, nr. 2, s. 133-136.

Søndergaard, M 2008, ‘Et elektropoetisk hype: Elektrohype på Malmö Konsthal’, Kunstmagasinet 1% : det danske magasin om kunsten lige nu. <http://www.kunsten.nu/artikler/artikel.php?electropoetisk+hype>

Søndergaard, M & Weibel, P (red) 2008, MAGNET: Thorbjørn Lausten – Visual Systems. bind 1, Kehrer Verlag, Heidelberg.

Søndergaard, M 2008, ‘Reactive Media in the (Art)Museum: Reconsidering the role of the archive in the age of digital media’, Art in the Age of Pervacive Computing, København, Danmark, 26/11/2008 – 29/11/2008.

Søndergaard, M 2008, Soul Body Art Surfing: Al Hansen is happening – bogstavligt talt. i M Gadegaard & H Bøgelund (red), Action and Remains: Al Hansen & Arthur Køpcke. Kunsthal Charlottenborg, København, s. 27-40.

Søndergaard, M 2008, Staging the Hybrid: Some Considerations Regarding Conteingent Art Forms and the Expert Witness. i U Ekman & F Tygstrup (red), Witness: Memory, Representation, and the Media in Question. Museum Tusculanum, Copenhagen, s. 311-315.

Søndergaard, M 2008, Total_Aktion: Kunsten i det nye medielandskab..

Søndergaard, M, Raithel, A (red.), Elgaard, A (red.) & Johannesen, H-L (red.) 2008, X-positioner: En udstilling i tre akter. 4. maj – 12. juni 1998.<Forlag uden navn>.

2007

Søndergaard, M 2007 ‘Reality Under Construction: Augmented Reality as Artistic Strategy in some recent Scandinavian Projects’ McGill University, Montreal.

Søndergaard, M & Johansen, M (red) 2007, Distant Relations: Kunstpraksis i en global kultur. En relationel antologi. Museet for Samtidskunst, Roskilde.

Søndergaard, M 2007, Distant relations: En diskursiv udstillingsramme. i M Søndergaard & M Johansen (red), Distant Relations: Kunstpraksis i en global kultur.. Museet for Samtidskunst, Roskilde, s. 1-5.

Søndergaard, M 2007, ‘Lyd + kunst’, Dansk musisk tidsskrift, nr. 5, s. 158-158.

Søndergaard, M 2007, ‘Punctures in the Periphery: Show-Bix and the Media Conscious Practice of Per Højholt’, Nordlit, nr. 21.

Søndergaard, M 2007, ‘RUMPUNKTERINGER: Show-Bix og Per Højholts mediabevidste praksis 1967->’.

Søndergaard, M 2007, ‘RUMPUNKTERINGER: Show-Bix og Per Højholts mediebevidste praksis 1967->’, København og Aalborg.

Søndergaard, M & Rafn, H (red) 2007, Sperme Anonyme: Victor B. Andersen’s Maskinfabrik: Live. Informations Forlag, København.

2006

Søndergaard, M 2006, Mission: Reality: 51. Venedig Biennale – Den danske Pavillon. Informations Forlag, København.

Søndergaard, M 2006, Sonderinger i en affektiv mediekunstpraksis. i H Krarup (red.), DATA: William Louis Sørensen. Politisk revy, København, s. 346-352.

2005

Søndergaard, M 2005, GET REAL: REAL TIME + ART + THEORY + PRACTICE + HISTORY. George Braziller Publishers, New York.

Søndergaard, M 2005, (Ind)samling i mediets tegn. i C Mordhorst & B Tøndborg (red), (Ind)samling i det 21. århundrede. Københavns Universitet, København, s. 77-91.

2004

Søndergaard, M & Winkelhorn, K 2004, Et digitalt Bauhaus i det 21. århundrede. i K Winkelhorn & M Søndergaard (red), Ett Digitalt Bauhaus: K3 – Visioner, (ud)dannelser, praksisser. Informations Forlag, København, s. 6-10.

Søndergaard, M & Winkelhorn, K (red) 2004, Ett Digitalt Bauhaus: K3 – Visioner, (ud)dannelser, praksisser. Informations Forlag, København.

Søndergaard, M, Kreutzfelt, J & Meyhoff, K (red) 2004, Mellem Ørerne: PERformer Højholt. Mediekunst 1967-> Informations Forlag, København.

Højholt, P, Kreutzfeldt, J, Meyhoff, KW, Søndergaard, M & Museet for samtidskunst (Roskilde) 2004, Mellem ørerne: Performer Højholt. Informations Forlag, Kbh.

Søndergaard, M 2004, Mellem ørerne. PERformer Højholt – mediekunst 1967->. Roskilde.

Søndergaard, M 2004, Monument / Mo[nu]mental. i C Skovbjerg Jensen (red.), Monument: Samtidskunst i byrummet. Informations Forlag, København, s. 66-72.

Søndergaard, M 2004, Nature is a Digital Instrument. i Splintermag. bind 1, Splintermind, Stockholm, Splintermag, nr. 1, bind 1, s. 18-23.

2003

Søndergaard, M 2003, Under Cover: Sound / Art in Social Spaces..

2002

Ruge, AM, Søndergaard, M, Museet for Samtidskunst & Kunsthaus Tacheles 2002, Ane Mette Ruge: hortus digitalis. Tacheles / Rupertinum / Museet for Samtidskunst, Roskilde.

Søndergaard, M 2002, Hortus Digitalis: Ane Mette Ruge: Den digitale have. Tacheles / Rupertinum / Museet for Samtidskunst, Berlin / Salzburg / Roskilde.

Søndergaard, M & Millroth, T (red) 2002, SeeSound / Look at the Music: A Sound Art Anthology. Kulturbro 2002, Ystad / København.

Søndergaard, M 2002, Sound Art: An Inter-aesthetic Project. i T Millroth, M Søndergaard, E Gylling & J Goetz (red), SeeSound / Look at the Music: A Sound Art Anthology. Kulturbro 2002, København / Ystad, s. 6.

Søndergaard, M 2002, ‘[We can all get to a point…]: New Media Art and Conceptual Integration’, Odense Working Papers in Language and Communication, bind 2, nr. 23, s. 1-11.

2001

Søndergaard, M 2001, Lydbilleder VI: Else Marie Pade – Pioner..

Søndergaard, M & Nyborg, K 2001, Kaj Nyborg: Isoplant : works 1998-2001. Space Poetry, Copenhagen.

Søndergaard, M 2001, [We Can All Get to a Point…]: Kaj Nyborg Isoplant Projects. i Kaj Nyborg: Isoplant: Works 1998-2001. Space Poetry, København, s. 3-8.

2000

Søndergaard, M 2000, Christian Marclay: Sound, Video and Photography..

Søndergaard, M 2000, Frontals: Towards a New Social Construction of the Observer. i N Exhibition Space (red.), Dialogprojekter: North Udstillingssted. Basilisk, København, s. 37-51.

Søndergaard, M 2000, In retro et transit: Samtidskunsten mellem krop og hjerne. i PB Søndergaard (red.), Passepartout: Skrifter for kunsthistorie.Passepartout, nr. 15, bind 8, s. 231.

Søndergaard, M 2000, Unoder. Nyhedsbladet, nr. 2.

1999

Søndergaard, M & Hultberg, T 1999, Lydbilleder V: Fylkingen – Sound as Art as Sound..

1998

Søndergaard, M 1998, X-positioner: En udstilling i tre akter..

Storsve, PJ, Søndergaard, M & Kunsthallen Brandts Klædefabrik 1998, Françoise Quardon: strømmende landskab. Kunsthallen Brandts Klædefabrik, Odense.

Søndergaard, M, Schwartzbart, J (red.), Nielsen, JD (red.) & Jensen, GV (red.) 1998, MIX: Blended Spaces. Museet for Samtidskunst.

1997

Søndergaard, M 1997, Kunst og metafor: En perspektivering af samtidskunstens kritik af den vanebaserede dømmekraft. i C Hansen (red.), Metaforer i Kultur og Samfund: Proceedings fra Metafornetværkets seminar i København den 24.-26. oktober 1996. Museum Tusculanum, København, s. 203-13.

1996

Søndergaard, M & Solvang, H 1996, KULTURSPOR: En rejse med Bruce Chatwin i billeder og ord. Kulturby 96, København.

1995

Søndergaard, M 1995, FORESTILLINGER: En perspektivering af forholdet mellem kunst og videnskab på baggrund af en analyse af den rolle forestillinger spiller i Michel Serres stil og metode, med særligt henblik på en vurdering af forholdet mellem poetiske metaforer og matematisk-logiske diagrammer..

Sandberg, JH & Søndergaard, M (red) 1995, Fravær: Sophie Calle. Portalens Kunsthal, Hundige.

Sandberg, JH & Søndergaard, M (red) 1995, Some Went Mad, Some Ran Away… Damien Hirst,… Portalens Kunsthal / Serpentine Gallery, Hundige / London.